Close to the Wind by Zana Bell.
Zana Bell’s latest novel Close to the Wind is a playful romp that takes its characters across the world, from Britain to New Zealand. It’s fun, funny and meticulously researched – I know this because a while back Zana was querying how long it would take to travel by horseback from Christchurch to Dunedin, in New Zealand’s South Island.
Zana is the first and only Kiwi author to be published by UK-based ChocLit. And you don’t need me to tell you Zana writes well – that this is her fifth novel by an international publisher is proof of that.
Hi Zana – thanks for agreeing to be part of my blog.
Hello Rae – many thanks for hosting me.
My first burning question is this: what made you pitch your novel to UK-based publisher ChocLit? I hadn’t heard of them till I read your book – how did you learn about them?
My Scottish friend sent me a book published by ChocLit and I was immediately taken by the fact that it was an historical set in Japan. So many publishers will only consider Britain or America as settings for historicals – as I found to my cost when trying to pitch two NZ historicals I’d written. When I emailed them to ask if they’d consider a book from the Antipodes they responded very warmly.
Your characters traipse across the world – what inspired you to make them do that – or were they in charge and did you just go along for the ride? (This is also a question about how you write – although you’ve surely noticed that.)
Again it comes back to the unusual setting. One historical writer had set most of her book in France but the opening chapter was set in England. Her advice was that if you start a book in Britain and hook your readers in the first pages, they’ll follow you anywhere. Of course, it is far quicker to get a character to France than NZ so it turned into a sort of historical road trip. I loved writing about the different settings, having visited Madeira when I was five and having been to university in Cape Town, it was a glorious way of revisiting them – albeit in the virtual sense.
Multi-published author Zana Bell writes historical novels set in NZ.
And yes, I was very much along for the ride. It was the first time I’d tried writing a romantic adventure and it turned out to be tremendous fun – and harder than I thought. I have a profound admiration for PD James, Anne Perry etc. now. It’s tricky to lay clues, make motives convincing etc.
The cover tells us to expect ‘love, passion and adventure in 1860s New Zealand’. But while some readers might be anticipating, say, hot sex, the passion in Close to the Wind is of a different flavour. Tell us more.
Oh well spotted. Reader warning: adventures focus on swashbuckling action rather than bedroom antics. I would hate to set up false expectations. I can assure you no bodices were ripped in the writing of this book.
I know you’re from Zimbabwe, but what brought you to New Zealand?
My sister and brother-in-law had immigrated to New Zealand and when I was twenty
I came over to visit them. Keen to explore, I hitch-hiked from Auckland to Invercargill and back and during this time I fell in love with both the land and the people. A few years later, I landed up immigrating too.
Where do the ideas for books come from?
New Zealand is always my inspiration, particularly its history. As an immigrant, I use the research as a way to weave myself into the land.
Where can people can buy the book – is it available in hard copy and as an ebook?
Whitcoulls, The Warehouse and PaperPlus all stock the book and yes it’s also available as an ebook from Amazon and Fishpond. Links are on my website http://www.zanabell.com/
If you had a word of advice for a writer, what would it be? And what about for someone who wants to have their work published?
The road is long; never give up. Don’t keep your book in the bottom drawer. Send it off. You never know what might happen. And if it returns, send it off again. And again. And again.
Those other novels – a word or two about them?
I wrote two Harlequin contemporary novels set in Northland. They were fun to write as Northland has a hold on my heart and in Tempting the Negotiator (again, not nearly as ‘hot’ as the title would suggest!) I was able to explore Northland themes like the endangered fairy tern and overseas land ownership and development.
My historical Forbidden Frontier is based on the life and times of Charlotte Badger; convict, pirate and NZ’s first known English woman migrant. She stole a ship and sailed to the Bay of Islands in 1806. Ah, those were the days!
And what’s next on your agenda?
I have another NZ historical adventure coming out towards the end of next year set in Hokitika and Christchurch. Thank you Eleanor Catton for putting Hokitika on the world’s radar.
I’m guessing you’re an avid reader – who’s your favourite author and why?
Oh, isn’t that the hardest question. I’ve loved Penelope Lively’s writing for many years – I think Moontiger is one of the finest books I’ve read. I love the way she weaves notions of history into her books and her characters are sharply drawn.
Many thanks for hosting me today, Rae.
Pleasure – and I knew Zana would steer us towards a great read.
(Big thanks to Zana who gave away a copy of her book to one of the lucky people who dropped by and made a comment.)
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As a writer about rural life, I was recently asked to review a book by another Northland writer, Christina Ferens. The Country Diary of a New Zealand Lady is glorious; it’s both a meditation and a celebration of the birds, animals, and plants which many of us see every day and don’t give a second thought.
Her writing is excellent and inventive – she expresses her observations with clever originality. Her writing is also gentle, insightful, loving and reminiscent of a past era when people lived at a slower pace than most of us do today.
After the book launch at the Takapuna Library, Christina emailed to say she was pleased with my review (of course she was, it’s a fabulous book) and that she’d even referred to it during the launch. I asked Christina if she’d share some background about her book and life and she agreed.
Hi Christina – thanks for agreeing to be part of my blog.
My first burning question is this: your book includes many fabulous photos. What sort of camera do you use? Is it so tiny you can carry it with you almost constantly or do you set off on photographic missions, set yourself up and wait for the magic moment – or is it somewhere in between?
Not a pocket camera, but with the view-finder essential for bird photography and an extraordinary zoom capacity, the Fuji Finepix is light enough to be almost constantly round my neck. To capture those spontaneous moments, I soon learned to have it switched on and zoomed up before even setting foot outdoors and to leave it on till I was literally back inside, regardless of the drain on the battery. That way I caught the lovely pair of greenfinches so close when I was on my way indoors, finished for the afternoon as I thought.
Christina Ferens – out on the farm.
Your writing is poetic and engaging. Do you scribble your thoughts in a notebook or do the words come to you when you sit at your computer? Or do you take a laptop into a paddock?
Thank you for the compliment. Nothing so organised as a notebook or even laptop!
I like to mull the words around in my mind when they come to me and to have pen and paper on hand wherever I am. By the end of the year I had a whole hand-written manuscript.
Is there a particular time of day when you write?
For the purposes of the diary, I would already be gathering up my thoughts by mid-morning and by late afternoon I was usually ready to wrap up my entry for the day. If I write a poem, I can be sure to see it during the ‘night watch’, the lines written clearly against the darkness so that I can make improvements which elude me in light of day.
I am quite used to writing in the dark!
What led to the publication of the book? Had you written a diary for some time and realised your scribing could grow into a book – or what? Was it your idea or someone else’s?
Certainly my own idea and one which had been germinating since I came across an old copy of “The Country Diary of an Edwardian Lady”. I imagined doing something beautiful like this for New Zealand and shortly afterwards, very late in the year, happened to move house to the perfect setting. On New Year’s Day I got out pen and paper.
A daily diary is a huge commitment. How did you manage to keep it up?
The enormity of what I had undertaken (the relentlessness, even, of the constant observations) came home to me one afternoon in March. By next morning I was as determined as ever and come the frostiest morning I was outdoors first thing in dressing-gown, gumboots and parka! I was having a love affair with words as well as with my subject, and I was spurred on by the knowledge that I was creating a unique record. Then, I had the advantage of hemisphere; with spring falling two-thirds through the year, followed by summer nesting, my involvement continued to grow and I was provided with a natural climax to the book.
Did you happen to count the number of species in the natural bird sanctuary around you?
There are 48 species of bird detailed in the appendix, and some gained the limelight more than others. I gave myself a rule that any mention at all was to shed an additional light or describe a new aspect of behaviour. By the end of the book, the reader should have built up a comprehensive knowledge of the birdlife.
What makes this book different from any other ‘bird book’ I’ve read is the fact that the birds seem to take on their own personalities. Can you comment on this?
There is certainly an intimate perspective to this natural history. A fascination for me, in observing the same bird families over the period of a year, is that different idiosyncracies did emerge, highlighting loyalty and personality beyond our own. The swallow couple, who nested opposite our front door, is a case in point.
Do you have an entry in your diary – and book – which is a particular favourite and which perhaps evokes fond memories?
Probably the last one, when I seemed led to the right spot at the right time throughout a day of memorable happenings that enabled me to draw in many of my main ‘characters’ and so ‘tie up all the ends’ in a satisfying way.
You must have been delighted to have your book as one of the best animal books of the year in the NZ Herald Canvas magazine. Has it been reviewed elsewhere?
The first review (copied below) ran in ‘”Bay Chronicle'”and ‘”Northern News'” and your own review for ‘”The Northern Advocate'” also ran in seven other provincial newspapers from ‘”Northern Age” to ‘”Oamaru Mail”.
Your book is published by Faith House Publications. Can you tell us a little more about them?
Being a books editor, I have set up my own publishing house by this name to produce my books, wall calendars and floral cards.
Is there a website where people can buy the book?
www.whitcoulls.co.nz If Whitcoulls are out of stock, purchase thru: [email protected]
What other writing have you done or had published?
“Where the Wind Wills” is a smaller book in which I first took natural history as a subject for literature. This time it is a whale at the ‘front door’, in the first of a series of seven unique and stunning environments from Island to Deep Country, from Ocean Beach to The Farm. This book includes my own pencil sketches rather than photographs, and also the original poetry. My first published poem appeared in “New Zealand Bookworld” many years ago.
If you had a word of advice for a writer, what would it be?
My advice is to visualise clearly the concept of the book and even, if designing it yourself, create the whole book in your mind’s eye from the outset, and then to write a list of goals and guidelines that will bring it into being.
Can you tell us a little about your farm – its size, how long it’s been in your family, etc?
Actually we rented the one dwelling on a farm being used as a run-off and bounding a vast sheep-and-cattle station. The farm is about 175 hectares and the beauty of it (apart from its very special plantings, such as a gingko tree by an unfrequented stream-crossing) is the extent of the wetlands that attract the birds. I never lost my sense of wonder at it all, being city-bred, and I think the success of the book derives from this wonder. I am told the book has opened the eyes even of those who have lived in the country all their lives.
And lastly, you live in rural Northland, but I have an idea your place is more remote than ours. We’re about 20 minutes’ drive from the nearest town – how far away are you?
We are still only 20 minutes’ drive from the nearest town.
Thanks for taking the time to share, Rae.
I’m grateful, Rae, for the opportunity to look back on the steps I took to achieve my goal. The journey was the best part.
PS: And here’s my The Northern Advocate review.
Christina Ferens lives on farm in the Far North where she notices the nuances of nature and writes about them – every day.
She also takes photographs, sometimes going to great trouble to capture that magic moment in time when, say, a turkey chick sits on its mother’s back or a drinking yearling is reflected in a pond.
The result of her labours with pen and camera is a glorious book that’s both a meditation and a celebration of the birds, animals, and plants which many of us see every day and don’t give a second thought.
Her writing is excellent and inventive – she expresses her observations with clever originality. Her writing is also gentle, insightful, loving and reminiscent of a past era when people lived at a slower pace than most of us do today.
Christina has an encyclopaedic knowledge of New Zealand birds; her skills even include determining whether a female or male blackbird “gave voice”.
Written as a journal, with one chapter per month, the book is peppered with photographs, mostly of birds but also of livestock and the countryside she clearly loves. She describes it as the Taheke hinterland.
This is not a book to be read in a rush, in fact, it would be my preference to keep it on my desk or at my bedside and read her observations as a daily ritual.
It commences on New Year’s Day (these are her notes from 2008) and the first entry details the antics of a fantail, a shining cuckoo, and a pair of nesting swallows whose fledglings need no longer “fling themselves with parted beak half over the edge of the nest in a limp effort to keep cool, for the man-of-the-house has kindly placed a piece of wood on the clear roofing above to protect them from the unrelenting summer sun.”
That excerpt – paragraph three in this 250-page, large format book – gives a sense of the pace and tone of what is essentially a diary. Entries rarely exceed 150 words; some are shorter. The typeface and layout make for an effortless read.
It would make a gorgeous gift. Yes, I know, suggesting any book would make a gift can seem to be damning it with faint praise, but that is not my intention.
As I have written this, with the book open beside me, I have felt my blood pressure settling, my mind calming and my mood lightening.
The book is a treasure that would be loved by anyone, but I imagine it might bring special joy to anyone who is say, in a rest home, in hospital, incapacitated, or who is locked in a corporate life – leaving home and arriving home in the dark with the intervening hours spent in a multi-storey building whether in Auckland or Hong Kong.
Anyone who lives on farm will identify, as will those folk who have left the family farm and now reside in an urban area.
The blurb likens the book to The Country Diary of an Edwardian Lady, written by Edith Holden in the early 1900s, published in 1977 and a best-seller. The Country Diary of a New Zealand Lady deserves that same good fortune.
Rae Roadley
Feast for bird and garden lovers
For most of us, busy with other things, seasonal differences are what we notice in the nightly weather forecast, but with this book author Christina Ferens invites us in to observe a feast of change that happens while our attention is elsewhere.
A day-by-day record of life in and around farm hedgerows and gardens takes us through the seasons of mating, breeding, rearing and feeding that busies the lives of birds and insects; all of it observed in fascinating close-ups and illustrated in a profusion of full colour photographs.
It’s also a sharp reminder that life at this level is lived in a jungle. Wasps and birds predate on insects, birds predate on each other, feral cats and possums predate on most things while overhead the big raptors cruise, looking for anything they can lift off the ground.
Christina identifies particular nests at risk and records the small wins as mothers fight fiercely to protect their young or the sad posses when they fail to prevent their eggs or chicks being snatched.
The entry for the first day of January is almost lyrical. “A fantail flew closely above my head as I stood in the shadow of the banksia, at the entrance to the lawn, and a shining cuckoo whistled sevenfold welcome to a new year just hours old. All day the welcome swallows flit about the rafters of the pergola where one pair tends a nest atop a wooden support; excited cheeping comes from two nestlings whenever a parent bird flits by. Sometimes they flutter in one spot, hummingbird style, taking insects from little spiders’ webs.”
Every day of the year is described with the same attention to detail, with birds identified in an appendix and their status, whether protected, native, endemic or introduced.
Christina Ferens lives in the Taheke hinterland, in Northland. Her love for the area and its natural beauty shines through on every page.
Bob Molloy Bay Chronicle; Northern News
“The charm of the language lends it to being read aloud … The other thing I really loved … is that you can get the picture of the stillness of the days and the intense heat of a Northland summer … there is just this quietness of nature … and I think it is a clever writer who can depict that.”
— Helen Woodhouse, Takapuna Library Manager, speaking at the book launch
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